E-bony
No One Is Here Incl. La Mverte Remix

Fine breakbeat/IDM blissed EP from DJ Backspace, limited copies..

Those lockdown silver linings continue to reveal themselves when we least expect it… As proved, once again, by the inimitable Amsterdam techno HQ Deeptrax as they present this stunning analog exploration from scene stalwart Mark Peeters AKA Caim. Inspired, created and sculpted during those strange times when none of us could rave, Caim simply describes the moment by saying the “clubs were closed, but creativity kept on floating”… Now that floatation is bequeathed to us through these warm, rolling and wide-armed frequencies. Tapping into a spirit that goes right back to Detroit and Chicago, there’s an understated groovemanship at play as Calm jams out on the same instruments house and techno forefathers used to sculpt this culture. Music to get lost inside of, music to take away the stresses of the day, music that’s a joy to mix, weave and tell stories with… Caim has created another timeless collection of grooves that could resonate with or relate to any period in the last 35 years of dance music culture. From the warm, opening rumbles of ‘Nepi’ to closing rippling dubwise echoes of ‘Kapura’, very few stones are left unturned as Caim tells a tale of the ages that we can all float to. Here’s to silver linings.

The third in a series of self-released Liquid Earth Physical Records, “Three Dimensional Rocker” is a sonic cheese plate for the dedicated dancer. The 12” navigates through four robust club tunes, surely an expected outcome from the seasoned Californian producer. From Aside titles’ full throttle funkery to the equally nauseating floor fillers on the flip, LEP003 is one big kahuna.

This work is the result of a musical exploration between Joseph Muñoz and Faunes Efe where their principal influence was the traditional rhythms of colombian caribbean territory like Cumbia, Porro and Vallenato, merging it with other musical styles like IDM, Ambient, Industrial, Techno, Drone, Field Recordings, No Wave and everything they felt like to listen. The recording process of this album was made by processing acoustic percussion, voices, samples and field recordings of the atlantic coast in Sucre, Colombia.