Square City
Ancient Avenues

Argentinian artist and Calypso’s Dreams label hear Richer guides a tour of integration and transformation with his new release The Globalization. The four tracker enticed summer early with the opener Tropicana and makes her stay with Catch the Rhythm’s playful yet spacious grooves.Side B continues the tour from bass to house, stopping for catchy layered classic house drums in Bring That Bass and closing with modern electro synths in The Global House.

Up next on Space Dust is Miles, exploring 4 variations on an other-worldly electro vibe with his 'Peeking Through Clouds' EP.The landslide-worthy bassline of 'Hole in the System' kicks off proceedings, with sharp claps and sizzling rides occupying the space left behind, while squelching stepper 'Light Years Away' presents itself as another wieldy dancefloor weapon on a US-garage tip.On the flip, bass continues as the dish of the day through 'In Transmission', as moody synth work rides a subdued breakbeat. 'Peeking Through Clouds' boxes off the EP in an ethereal fashion... but this shimmering closer remains a floor-focussed weapon.

The legacy of the UK’s prolific Alien Recordings lives on with another classy four track EP. Andy Panayi, Alec Stone and Rob Collman have been pivotal in shaping electronic music for decades. Their raw aesthetic formed Alien Recordings’ identity in the 90s, releasing timeless music from their several projects A², SKAT and Stopouts.The humble London collective are behind many influential records from tech-house’s golden era, pushing an infectiously groovy sound perfect for many scenarios. After connecting with the MASS crew in Leeds shortly before Andy’s passing, this release is a heartfelt tribute presenting four unreleased gems recorded between 1996 and 2010.

When British Airways got privatized and listed on the London Stock Exchange, somewhere in Canada the first Starbucks outside of the US opened, and the Walt Disney Company signed an agreement with the French Prime Minister to construct Disneyland Paris. In the sky above southern Argentina, Equatorial Guinea, Cameroon, Sudan, Ethiopia, Djibouti, northern Somalia, and the Atlantic Ocean a hybrid solar eclipse materialized for 7.57 seconds, whilst Margaret Thatcher performed for 45-minutes on Soviet television. Some days later, The Simpsons cartoon first appears as a series of shorts on The Tracey Ullman Show, Diego Maradona wins his first Italian soccer championship with Napoli, and Eighteen-year-old West German pilot Mathias Rust lands a private plane on Red Square in Moscow. In the mists of the world's first conference on artificial life at the Los Alamos National Laboratory, the first Kentucky Fried Chicken restaurant in Mainland China opens in Beijing, and Prozac gets approved for use as an antidepressant in the United States. Much give way for the future, down there in 1987, the year that marks the title of Benedikt Frey’s freshest mini album, out into the world on R.i.O., the label he runs with some pals in the North of Berlin. It’s a dubby melancholic conqueror, wistfully, repetitive, drilling, absorbing, spooking. It makes you dream. Not particular of the year 1987. But it’s all there: The Red Square, the untouched land of the Val d'Europe, Diego on fuego. Six dark-ish tracks in trance, melancholic dub, downbeat heaven, journey music depths, all full of light and yet so dark. Futuristic dramas linked to a speculative past. In our dreams all might look different. The eclipse may last 27- minutes. You meet Neuromancer cyberpunks and blade running Ghost dogs, all taught to hack by Phrack. Cristal clear melodies, sampled voices, and veiled basslines, analogue scopes, and digital ropes, longing for a past that storm into the future. A time where deep listening widens the acoustics into infinity, while neon glows charm the light smog. Benedikt Frey been down there. Or maybe not. His latest music tells stories from the bygone, vested with the forthcoming. Come in and look out. There is nothing to see, yet so much to hear.

Landing this summer is a fantastic body of work from talented Irishman, Tr One, and quite notably the inaugural release on his own “Intrinsic Rhythm” label. His debut album “From The Studio Of” is a masterpiece that maneuvers between innovative strains of deep house, spaced out electro, and discerning mellow techno; the studio album spans across fourteen tracks including an acid tinged remix from, Cignol, and some stellar input from, Mihail P. Continuously inspired by the greats, and drawing influence from an array of sounds of the past whether that be, Chicago, Detroit and beyond, Tr One has now found himself with a cohesive series of tracks that speaks with power and creativity, and will see the light of day on both 2 x seperate 12” EP's and digital.The first EP cruises into “Pitchshift” a deep, and melodic Detroit beatdown influenced trip featuring the vocals of Elaine Dowling. “Turning Point” drifts you up a notch, emotional synths breathe life into the crisp drum arrangements, but never getting carried away. The intelligently constructed “I’m Dreaming Again” sways gently in the realms of the after hours, hypnotic and captivating sounds from the Carlow based producer. Maintaining the enigmatic mood is “Stay Offline” a distinctive bassline drives the track allowing the other elements to converse peacefully. Cignol’s remix of “Turning Point” brings a new acid dynamic to the album, squelchy lines bounce around tidy drum work.

Following a series of VA EPs, Broken District releases its first mini LP: “South Side” by Sofatalk. The collaboration between the label and the Italian artist feels natural, as they share a mutual vision of music, a nifty blend of jazz and soul-influenced electronic music landscape. Throughout the 6 tracks of “South Side”, SofaTalk explores and twists jazz, broken beat, house music and funk, resulting in the most accomplished work to date for the producer, but also for the label.