Various Artists
Eternity EP

There is a culturally and perhaps spiritually bonded link between electronic dance music and what could be called most generally ‘the feminine divine’. In subgenres more oriented to trance and EDM, the vocal sample or progression is almost always uttered by a woman, unlike the variously-sexed divas of house; if divinity is invoked, it is less often a biblical God than some Gaia-derivative. Radiant Love’s fifth release, Goddess Within by the Montreal-based producer Maara, steps into this lineage stretching from Magna Mater to disco queen – Maara’s articulation of the feminine divine, however, is often off-hand, ringing at once sincere and deeply cheeky.The double-side is summed up by the first track’s title, 'Goddess Within (Give It To Me Daddy)', which starts right off with a pumping bassline, carbonated synths, and a repeating sample speaking ‘goddess’ – what trance dreams are made of. What places these tracks especially in the realm of dream are Maara’s washes of delay, reverb and pan, drawing out melodies and textures into trails, clouds, blurs. The sonic fields are decentered, but driving and floor-ready regardless. 'Mommy’s In Trouble' follows up with a set of cleverly phased hi-hats and a swung kick drum. It’s a buildup we’re hearing, although one wouldn’t know until a sample asks us matter of factly, ‘Notice what you’re feeling. Are you calm?’ and the bass swings back in.The B-side begins softer, with the wide pads of 'Plum Plum Paradise' eventually dropping into a downtempo break. The percussion is muted, and what gives the track its body is a shifting terrain of sample (‘Allow yourself inside, the time and space right now’), gurgling synth note, windchime and whisper. Goddess Within’s final track, 'Lezzies In A Jacuzzi' picks up the pace again, with a porny bass-throb, insistent hi-hats and a vocal fragment looping the word ‘amor’. This is exactly the kind of sound that would have me thinking on the dancefloor, Is she actually saying ‘amor’? Quickly I would reach the decision that it didn’t matter – the whole terrain of the actual, the explicit and undreamed is best left to masculinity anyways.

Featuring Artists Pugilist, Caldera, Dawn Razor, Lithe & Imitation Therapy, Harrta and Barley. Branch Points first V/A is a exploration into functional leftfield club sonics. BPA003 is pressed on 140g 12" sustainably using recycled vinyl.

Prolific 90's house maestro Maurizio Verbeni strikes again on Digging Deeper . After stellar past releases on UMM , MBG Records , Discomagic , UMD amongst others his rare and original release on Trancebeat from 1992 with his aka PDQ gets a full re-issue and remaster. Not everybody understand house music

Chat Noir is proud to present the second volume of this compilation. The main goal remains the same (to highligh the new french scene) but the shape of it changes somewhat. The «Vinyl Sampler» will include 6 titles from the digital version.The project aims to show the diversity of the new French house scene by highlighting different sub-genres of this movement: ambient, deephouse, tech-house, acid, minimal, italodisco, electrofunk… The artists present on this compilation

RDS plumbs the depths of analogue texture on his Kalahari debut proper. Following a guest appearance on Eversines’ ‘Plooi’ EP, the Amsterdam artist returns to explore the more expansive integers of his hi-tech sound across four deftly crafted tracks.It's exactly the sort of enveloping, sophisticated material we’ve come to expect from a De Lichting member.Straight deep space manoeuvres on the opener. Setting billowing widescreen pads against solid, tight groove, ‘2312’ feels as if it’s escaping the eye of some turbulent solar event. Then, landing with a sensitivity absent from the harsh climes of its predecessor, ‘BBsuite’ leaps from translunar to tenderness with dappled keys and lithe breakbeat intricacy. Saying that, there’s still something undeniably explorative and sc-fi in its mood, almost reminiscent of Orbital or Future Sound of London.There’s more refined deepness on the flip, starting with ‘Silky’s supple, slinky flex. Forlorn, exquisitely widescreen ambient techno, it treads between the warm optimism of early Detroit modes and a certain somber melancholia. And finally, ‘Autechrein’ finds RDS smudging his palette on a dusty, downtempo overhaul of the after-hours formula.

The first vinyl release from s2i Recordings introduces Fader Cap (previously Sedgwick). An existential trip across 3 tracks recorded in one 12 hour session, with the source material written for live-performance in early 2021. Heavy on the 303, with rhythmic propulsion for the breaks-inclined heads. Tinged with heavy nostalgia for the atmosphere of DIY sound systems in the Australian bush.Design by Studio BalconyIllustrations by Gabe Van GiapMastered by Marco at Analogcut