Shonky Gianmarco Orsini
Evolver EP

FHUO Records has been pushing the limits of its own diversity by releasing an ambient soundtrack album, hip-hop beats, neo soul and electronic music during the last months.But here it comes back after a short hiatus with something powerful and very special, the first solo album of one of the all time finest french jazz pianist on the scene, Marc Bianco.Known for his house productions and his project Kimosabe with Folamour, Marc Bianco decided to go back to the roots for his first long format under his real name. Coming from improvisation, live jazz and the connection between composing and sharing energy, he decided to mix all these ideas into a beautiful experience going through cinematic universes from one track to the other. Different worlds while we're still on the same trip. One for the books!

The global lockdown has seen a number of new hobbies and skills adopted. Yoga mats now decorate homes. Bread makers jockey for space in kitchens. Soiled paint brushes caked in acrylics lie abandoned. At Frigio Records HQ, confinement might have changed the rhythm but it hasn’t changed the aim; to find new and exciting music for 2020. The result ? Frigio Allstars 3.This release comes from the murky underbelly of electronics, where the nights are long and the days are short. Ashen tones pricked with lighter shades, all smeared with attitude in this collection of underground tracks made for the underground

Tresydos presents Time For Spirits EP, their release número 7. German producer Atree is in charge of delivering this 4-tracker filled with fresh housey vibes and contagious grooves.

Pancratio serves up the 2nd hotly anticipated part of his Korghettini Electronics project on One Trip To Avyon.Pancratio: In the early 2000s, Korg invented, engineered and distributed four little instruments called Electribes. A drum machine, one analog modeling synthesizer, a sampler and a music workstation respectively called ER1, EA1, ES1 and EM1. Initially I always found it very difficult to use them in my studio, because they weren’t really fitting with the sound and the workflow. Between march and may 2020, I stopped worrying about trying to force the Electribes into the setup: i just put them together and started jamming, recording several tracks without using anything else apart from these little boxes and their own effects… eventually sampling a few things along the way with my headphones into the ES1.The title, as well as the aesthetic of the project, are inspired by a future-retro approach to early electronics and 70s Italian product advertisement.