Edward
The Stretch

Having been lost in the Discogs realms for many years, without many sound clips online, each of ThePiroman’s EPs began to gain a lot of traction online.The Piroman EP, the first of 2 projects released back in the 90s, features three tracks with rolling electro/breaks elements throughout, inspired from the West Coast. All 3 tracks were given a European twist and willfit onto modern day dance floors comfortably.This EP will be released along with an insert, with a little more information on The Piroman and their earlierinfluences. 25 years later - The Piroman returns…Limited to 300 copies.

Mixmaster & Maurizio Verbeni - The Sound of Assisi *** The saga continues with another gem from maestro Maurizio Verbeni aka Jazz Voice this time in collaboration with Mixmaster , and studio gang Mirko Braida & Paolo Cimarelli . Produced in 1993 at MIDI Studio Rec. in Assisi . Licensed from Maurizio Verbeni . Digging Deeper Music strikes again! A deep old school gem hard to find and at crazy prices on discogs finally out again.

return_backspace is excited beyond measure to present to the world the music of a young marco repettoconceived during the heydays of atari-sequencing, under his beloved moniker planet love, the bern-residing, italian producer at long last will disclose some of his earliest compositionsin nine tracks - spanning three extended plays - the headstrong musician demonstrates ingenuity once again; amalgamating otherworldly soundwaves and advanced production technique into a one-off kind of seminal technonew era e.p. makes the initial part in the triptych, and unfolds through its title track; an extraterrestrial soundscape sculptured autumn ’92, heavily reverberating repetto's profound fascination for 1950s science fictionflowers was recorded during the last days of ‘90, and is one the earliest experiments conceived under the alias. the track is a well balanced blend of measured psychedelic, and grand lushness, with vigour that has zero decayed. supremely effective at the end of a long night’s rave bird song is early ‘92 in full effect, and might just contain one of the catchiest bass-lines known to mankind. topped off with luxuriant pads, sweet samples, and irresistible bleep, repetto truly outdid himself on this one; romantic techno rarely gets more soulfulthree decades after their initial recording to digital audio tape, the natural naivety within each of these productions still is extremely tactile; reminiscent of a time when electronic music was in its infancy